December 16, 2022 | CULTURE | By Jack Madison, Liv Normandeau, Marina Malin | Illustration by Liz White

The Rocky Mountain Tops and Sallie & the Swamp Goblins

On Nov. 12, Lulu’s Downstairs in Manitou Springs hosted two of Colorado College’s finest bands. The Rocky Mountain Tops started the night off, filling the room with boot-stomping bluegrass and graceful harmonies. The floor then packed in for Sallie and the Swamp Goblins, the headliner of the night.

Performing a mixture of originals and covers, the Swamp Goblins held an electrifying stage presence that displayed their connection as a group—and united the crowd in dancing and grooving along. Their covers of “Mercy” by Duffy and “Valerie” by Amy Winehouse were crowd favorites, led by singer Sallie England ’25. At one point, a dance circle opened up with CC students showing off some of their best moves. The show ended with a bang with their cover of “Little Wing” by Jimi Hendrix and the night in Lulu’s plush red interior came to a close.

Charlie Burg

Charlie Burg is a singer, songwriter, and producer who released his first mixtape in 2015 when he was in college. After transferring from Denison University to Michigan State, he finally landed on Syracuse University to study the music industry. From there, he released a series of extended plays throughout his time in university.

Photo courtesy of author Jack Madison

Originally from Michigan, he now resides in Brooklyn, NY where he dropped his debut album, “Infinity Tall” (2022). Cinematic and youthful, Charlie Burg seamlessly transports listeners from one point to another with his pastel-shaded, storytelling lyrics. The curiosity and exploration that exists in his music is shown on his album art – which he creates himself. His personable whim showed in his performance at Colorado College, students still fan over his amazing show and charming personality a week later.

After his Nov. 7 show at CC, SoCC writer Marina Malin ’25 sat down with Burg.

Malin: So, Charlie Burg from Detroit Michigan, tell me a little bit about yourself, what is there to know about what has led you to where you are today? Tell me about your childhood and hometown and its influence on your music today.

Burg: Well, I grew up in a suburb about 20 minutes outside of the city. Detroit has a really rich music history that a lot of people don’t think about. Electronic dance music started in Detroit, techno and hip hop too. J Dilla is a producer that really influenced my production style. I grew up listening to Motown soul records that my dad would play: temptations, algorithm and Marvin Gaye, the classics. I think it just kind of seeps into my blood. 

M: What is the first piece of art you remember falling in love with and do you believe it takes shape in your music today?

B: I think one of the first records that really impacted me was “Parachutes” by Coldplay. Their first record was really great and solid all the way through. It taught me vulnerability in songwriting. I can’t remember the name of this painting, but another piece is a Spanish painting by Juan Mero. It has this really profound shade of blue that when I saw that blue, I thought to myself, this is the feeling that I’d like to evoke with my music. And then I made “Blue Mosaic”, which was my first record and I have a tattoo of it.

M: Is blue your favorite color?

B: No, my favorite color is actually either orange or forest green.

M: No way, mine is that shade of green and orange too…but what type of orange?

B: I like a burnt orange, something warm and passionate and loud.

M: We’re the same! When did you make your first song, and can you talk about its creative process? 

B: So, art history is a favorite subject of mine. I love art history. And I have a song called Art History Part One which I wrote after I took an art history class. And Art History Part Two exists too. *Proceeds to ask to look at an art history book that someone close by is reading*

M: A lot of your online presence highlights Ralph Waldo Emerson as a major influence to you, can you speak on this and how his wisdom has impacted both your art and personal life? 

B: Yeah, so, it’s funny. In the early days of a music career, you will reference one thing and then news outlets will fixate on that thing until you give them another thing to fixate on…I was gifted a Ralph Waldo Emerson collection of essays by my father when I was working on some EPs. There was this line that I read that said, “a blood of the violet.” I think that was one of the names of the of the poems. And so I named an EP, “One, Violet”. And it was just kind of this conceptual drive that felt right to me. But yeah, I haven’t read Ralph Waldo Emerson in like five years, so I don’t have much to say about him anymore but at that time, he resonated with me.

M: “One, Violet”, yes, that brings me to my next question. You have a three-series album that was released over a three-year time span: “One, Violet”; “Two, Moonlight”; “Three, Fever”. Can you talk about these albums and why you decided to part them the way you did? 

B: I’m obsessed with trilogies for some reason. It just feels like a very perfect way to tell a story. 1. 2. 3. But when I put out “One, Violet”, and I’ve never mentioned this in an interview before, so you are getting some exclusive content, I did not have a name or a concept for it. About a week before it dropped, I said, “Okay, I need a name. I need a name. I have more songs that I want to put out, but they’re not ready so I’m just gonna give myself some sort of framework to release more projects; and so I named it “One, Violet”. A year later, I had enough songs for two. So, I didn’t actually know how many I was doing or what the other ones were called. I basically set myself up for long form concepts. I used those three projects as an opportunity to explore my production. I moved away from the guitar, rock and roll, live in Peter’s attic and I dove into my computer. Those are my computer projects. 

M: On Spotify you have a playlist that is called “everyone is talented” where you feature music that people send to you — tell me a little bit more about the nature and philosophy of this playlist. 

B: Yeah, um, gosh. In a span of a few weeks, I got a few songs sent to me by different musicians on Instagram. I realized that a lot of my followers make music themselves, so I made a public playlist, where I had people send me their songs over Instagram. I put them in there and just wanted to give people a platform that usually didn’t have a platform. I really enjoy the playlist and listen to all the songs. 

M: Your tour is coming to an end at the end of the month. What are your plans for when you get off the road? 

B: I am going to hole up in my Brooklyn apartment and not leave New York for months. I was actually thinking of doing a week of silence because I am around people every day all the time. I heard one of my friends is doing this, and I don’t know, I think that’d be really cool. I would just be with my plants that I’m excited to see. My favorite is my monstera that my friend gave me about three years ago.

Rapid Fire Round: 

M: Who are some of your inspirations both musically and non-musically? 

B: Prince, that’s it…. non-musically Joan Didion. 

M: What is a philosophy or quote you live by? 

B: Don’t be afraid to say yes to things.

M: What is a new hobby, interest, or skill you have picked up recently?

B: I’d say like… fricken painting. I use acrylics and watercolor. 

M: What is your astrological sign?

B: I am a Virgo, I don’t really believe in it, but it is a fun thing to talk about. 

M: If you could live anywhere, where would it be?

B: Paris, France. 

M: What is your favorite ice cream flavor?

B: Mint cookies and cream. 

M: What type of sandwich would you be and why?

B: I would be a turkey panini with monster cheese. 

M: What is your guilty pleasure?

B: Dark chocolate. 

M: If you had to name this chapter of your life what would it be?

B: Margo because that is my old dog. 

M: What is something you have been doing that brings you joy?

B: Reading by Joan Didion plays it as it lays. It’s dramatic. I like drama, I like the dichotomies. I like to write in a journal too, but I don’t think that brings me joy. It can be painful. I only focus on the bad things and get depressed. I want to do pottery.

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